History of Temple Jewellery
Temple jewelry in South
India includes a dateless comradeship with the land itself. Tradition has its
roots deep delved into the soils of Tamil Nadu and as obvious result temple
jewelry is of dominant vitality within the Dravidian land and even the foreign
invasion couldn't cater any vital quantity of loss of them. Most of this
jewelry was given by the individuals to adorn the deities of the temples.
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History of Temple jewelry in Tamil Nadu
Indian jewelry art is
sometimes divided into 3 kinds : They are Temple jewelry , Non secular jewelry
and Bridal jewelry. Temple jewelry at first accustomed be delineate because the
jewelry accustomed adorn the idols of Gods and Goddesses. The statues In Asian
country were adorned with chunky necklaces that were either arrange with beads
or crafted with labyrinthine fillagree. Amongst the opposite ornaments that
adorned statues of deities were giant chunky bangles, typically decorated with
gems additionally, earrings, nose rings and anklets were additionally used.
The Jewellery accustomed
garnish the idols was later worn by temple dancers and at a snail's pace; the
styles became a branch of the Indian woman's ceremonial occasion jewelry rig.
although the idols in associate constant manner began to be highlighted with
jewelry, a rehearsal seen even these days, the jewelry of Indian girls
additionally came be created on the epitome. Today, temple jewelry has become
unfastened to the foremost accepted crafts of Asian country. At some stage in
festivals and occasions of worship of Gods, girls wear temple jewelry believed
to be auspicious and supply sensible luck . Jewellery things like pendants,
bracelets, belts and brooches supported temple jewelry throughout auspicious
times, and buying these is believed to bring occurrence to the person. The nice
style for pendants is that of Ganesh the elephant headed divinity celebrated to
bestow sensible luck and providence. These days, the temple jewelry of Asian
country is finding associate aroma and example zest amongst foreigners too.
South Indian Jewellery
In South India the
Shaivite temple jewelleries square measure divided into 2 broad categories-
The jewelleries offered
to the most 'Shivalinga' and people offered to the subsidiary gods and
goddesses.
The main 'Shivalinga' of
any South Indian Temple is adorned with several expensive jewels like
necklaces, bracelets, armlets, bangles, rings and alternative ornaments.
Thousands of pearls square measure crustlike within the costliest jewelleries
of the Shivalinga throughout the rule of Chola kinfolk, the South Indian
temples contributed plenty within the growth of the art of jewel creating. The
South Indian temples even maintained their own workshops, used versatile
goldsmiths and jewellers to fashion jewels, to check and valuate them whenever
it's required. The master craftsmen were appointed and granted several royal
titles on them for his or her mastery and excellence within the art. Many
valuable and expensive jewelleries still well preserved within the Madurai
temple. The foremost vital among them the crowns fabricated from gold crusted
with the 9 gems or navaratna. Another necessary jewelry of this temple is that
the 'Ratnachurmmandu', a golden beaded turban. It's worn on one in all the
festivals of Lord Sundaresvara.
Thereafter, within the
thirteenth century AD, the Pandyas additionally contributed variety of
jewelleries to numerous temples at Madurai, Srirangam. However most of the
present gems in South Indian temples these days may be copied back to the
Nayaka amount. Several Nayaka rulers restored the recent temples and designed
new temples in addition as adorned them with gems and jewelleries. They
additionally offered dresses and jewelleries within the names of the renowned
saints of Madras.
During the Chitrai
competition at the temples of immortal Meenakshi and Lord Alagar of Alagar Koil
many varieties of jewelry were obtained as offerings. Most of those presents
square measure still used at Madurai and Alagarkoil. The Nayaka amount finest of
gems and jewelleries will still be seen in temples at Mannargudi,
Nachchiyarkoil, etc. of Tanjavur district.
Present situation of Temple Jewellery
The Srirangam temple
includes a Brobdingnagian jewel assortment, that has historical significance.
The names of the donors, principally the later Nayakas of Madurai inscribed in
most of those jewels. These jewels of Madras temples mirror the labyrinthine
acquirement of the art of jewelry of the Nayaka amount.
These temple jewels have
maintained their ancient forms until these days. Even the outer influences from
distant lands, significantly from the Mughal court couldn't bring abundant
amendment in these jewelleries. however its have an effect on in few of the
jewels was quite visible as an example the form of crowns and necklaces
modified to the tune of Islamic traditions with the passage of your time. The
'conical kullah', a golden cap of the Mughal court was introduced within the
temples throughout the Nayaka amount. The crown precocious by Tirumalai Nayaka to
the temples was referred to as Mughal Mudi, that was named once the Mughal
tradition.
Raja Krishnaraja Wodeyar
III of Mysore precocious most of the dear ornaments decorated with fabulous
jewels, which may be currently seen in varied temples. He given a
'Gandabherunda Padaka' (pendant) and also the 'Ramapatta-bhisheka pendant'
within the Cheluvanarayana Swamy temple at Melkote.
Many devotees given gold
pendants having variety of figurative representations of assorted gods and
goddesses at the Mysore temples. The Pandu-ranga temple of Pandarapura in
geographic area includes a gold pendant portrayal the figure of Sri Vitthala,
another sort of Lord Krishna. The border of the pendant is adorned with
'navaratna' stones. The jewelleries offered within the varied temples of South
Asian country embody the chains of coins (kasina sara), kadagas (bracelets),
kankanas (wristlets), jjejjeranki (armlets), waist bands, tali (mangalasutra)
and varied forms of headgear (kirita-mukntas).
All these jewelleries
were hooked up to numerous components of the body, like the 'mukha kirithi'
(masks), 'karnapatra; for ears, (chandra-bottu or surajaboitu), 'abhaya' and
'varada hastas' and padtnapithas, decorated with aglitter gems. These
jewelleries were offered by kings and queens from time to time and currently it
may be seen within the varied temples of Mysore. Despite of all foreign effects
the goldsmith of South Asian country maintained most of their ancient motifs
and styles. one in all such ancient jewel could be a double-headed eagle,
referred to as 'gandabherunda', that was earlier the royal image of the Hoysala
Empire and rulers. altogether the South Indian jewelleries, this specific motif
maintained up to the Nayaka amount. The temple jewelleries of South Asian
country have names supported the native flowers and birds. as an example, one
sort of jewelry is thought by the name 'Tamarappu' (lotus flower), 'Kallippu'
and 'Nerinchippu', that square measure the names of flowers. a number of the
jewelleries also are named once birds and animals, like kokku (crane), tavalai
(frog), amai (turtle), makara (crocodile) etc.
Conclusion
All such jewelleries of
South Indian temples square measure protected until these days with care. The
temple authorities got strict tips to safeguard the temple treasures. There
square measure principally 2 persons, UN agency square measure allotted with
the responsibility. The 'Kaivistari' receives jewels on gala days and returns
them to the 'Kaiyatchri' simply once their use. The latter then deposits them
within the treasury. These square measure then latched properly and sealed by
the third officer, 'Mudradhikari'. throughout any competition time, once the
supernatural being is taken out for a procession adorned with the jewelleries,
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